a5c7b9f00b The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd and the treacherous, one-eyed Elle.
The murderous Bride is back and she is still continuing her vengeance quest against her ex-boss, Bill, and taking aim at Bill's younger brother Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill, the Bride's former master and the man who ordered her execution!
Warning: This review might contain minor spoilers, but I'll try to keep themlowpossible. ~ Aevora.<br/><br/>K I L L B I L L V O L . 2<br/><br/>Yesterday it was crunch time. In a completely sold out cinema I was going to watch the sequel of what I thought to be one of the best movies ever. First Kill Bill Vol.1 was shown, then a break and finally it was midnight and Kill Bill Vol. 2 was about to be shown.<br/><br/>While the movie was playing, I didn't move. I didn't wink and I almost forgot to breath. I was so amazed. This was such an unique movie, and it was great on both a 'nice story'-levelan artistic level. When the credits came rolling, I was shaking and I was totally convinced: Kill Bill vol.2 is not only better than Vol. 1, it is one of the best movies I've ever seen.<br/><br/>And that quite surprised me. After seeing Vol. 1 with ultra-cool Gogo Yubari and classy, stylish O-Ren I did not think that QT could ever surpass the quality and intensity of that movie. I did look forward to Vol. 2 but was afraid to be disappointed. I was so wrong. Not only do Budd and Elle Driver overdo the coolness of Vernita Green and O-Ren Ishii, they actually are able to be even coolerGogo Yubari.<br/><br/>Vol.2 is a lot less violent and it is one big pack of dialogue. But the dialogue is so stunning, that you're not even disappointed that there's not so much violence in it. The action that does appear in the movie is outrageous and just great. As an effect of all these dialogues, you get sympathy for The Bride and even for Bill. The dialogues are never too long or too complicated, because there is always some action intwined with it.<br/><br/>As The Bride comes closer and closer to the mindbreaking climax of the film, there are a couple of extraordinary scenes in the film. I will try not to spoil anything, but Pai Mei's training, the Paula Schultz thing and Budd and Elle in the trailer are certainly one of the best scenes there ever were in a movie (people who have already seen this movie know what I'm talking about).<br/><br/>I don't think that QT could ever have used a better cast for this film. Uma Thurman shows that she act everyone of the screenshe plays a mother, a killer, a revengeful Bride and a lover. On top of that, each different side of her character is so well worked out by Uma that I think there might be an Oscar for her. Not to forget David Carradine. He plays Billsuch a mindless killing machine with a heart, that you think he is playing a double role, but it's just a piece of excellent acting. Michael Madsen is Budd and I wonder if the role is written for him. If not, Madsen could also be in the running for some awards. I was never a fan of Daryl Hannah. I thought she was kind of annoying. But I have to admit that she was sexyever and a great actress for the role of Elle Driver. At least one award for her. Keep an eye out for double roles by Gordon Liu and Michael Parks cause they are great. I really need to see this movie one more time to discover every little hidden detail that were also in Vol. 1.<br/><br/>Conclusion: Fans of Kill Bill Vol. 1 are bound to go to this one, cause it's by far better than Vol. 1. If you found Vol. 1 a little over-the-top violent I suggest you just try out this one. You'll probably be amazed by the great storyline QT has written. The cast is great, the action is amazing and the storyline is stunning. I've got a A+ for Kill Bill: Vol. 2!
While the decision to split Kill Bill, originally intendeda three-hour epic tale of revenge, into two separate movies was greeted by fans with accusations of greed. Whether this is true or whether the full version of Quentin Tarantino's homage to 70's exploitation was simply too much to consume in one sitting, it actually turns out to be a masterstroke. Volumes 1 and 2 incorporate two vastly different styles, both of which allow Tarantino to fully indulge his love for kung-fu movies and spaghetti westerns with ample time and care. These are two different movies, never forgetting that the character linking them together is Uma Thurman's determined The Bride.<br/><br/>Having dispatched O-Ren Ishii (Lucy Liu) and Vernita Green (Vivica A. Fox) in the first film, we first meet The Brideshe drives to her final target - Bill (David Carradine). To even consider this a spoiler would be failing to grasp the movies Tarantino is tipping his hat to, and the director makes a point of this by constantly shifting around the time-line. It's not so much about if she'll achieve her goal, but just how cool it will be when she does. Bill remained off screen for the bulk of Volume 1, seen either stroking his samurai sword and talking menacingly off-camera, but we meet him in his full glory almost instantly in Volume 2,we are shown an extended version of the events that left The Bride shot in the head and left for dead.<br/><br/>First though, she must face Budd (Michael Madsen) and the one-eyed Elle Driver (Daryl Hannah). Budd is a tough, hard-drinking redneck workinga bouncer when he's not clumsily making margaritas in his trailer, and he is given a generous amount of screen-time and isn't let down by Madsen's gravelly performance. Similar to Tarantino's early films Reservoir Dogs (1992) and Pulp Fiction (1994), Budd's story is given a patient build-up before the burst of inevitable violence, portraying hima beaten man awaiting his death at the hands of the woman he knows is coming for him. Just when his fate seems sealed, Tarantino slaps us in the face and turns his protagonists fortunes on their head, allowing for some down-timewe flash-back to The Bride's training with the formidable Pai Mei (Gordon Liu).<br/><br/>Pai Mei's chapter is the entire saga's crowning achievement, full of ridiculous crash-zooms and beard stroking that manages to poke fun at the genre, while at the same time warmly embracing and even transcending it. This leads The Bride to her face-off with Elle, which is a scene of such ferocity, humour and sheer bad-assery that it more than makes up for the creeping pace. As Bill, Carradine is a revelation, with Tarantino once again pulling an iconic actor out of obscurity to riff on the type of role they became famous for in the first place to deliver the performance of their career. An early version of the script had The Bride and Bill duelling to a sunset backdrop, but the low-key scrap opted for instead seems more fitting. Towards the climax, it seems that Tarantino is struggling with how to end his epic tale of revenge, but some minor bumps don't derail what is undoubtedly the most Tarantino-y of his catalogue, and certainly his most all-out fun.
As it currently stands, Kill Bill is a victim of its director's ego and its distributor's greed. The moments of greatness make it worth seeing, and there's certainly plenty of entertainment to be found here, but it's hard not to lament what might have been.
End credits (for Vol. 1 and Vol. 2).<br/><br/>"Black Mamba" - The RZA:
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